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When the snares don't hit together, it's just the most awful thing to hear.
When I was young, I had one of those Yamaha drum machines, and I used to practice to that quite a bit, just to practice soloing and being in time and completing all my phrases.
We've got many different sides of music to us.
We knew we wanted to put a lot of melody into it - a lot more than what we did on our first album.
Sometimes the band can't fully hear your fill, so they come in differently. So I've also learned not to really step out too much, because you sacrifice the band when you do that.
Onstage, it's more of a momentary pressure.
Jazz was more of a tool for me to use to enhance my musicality.
It's all about theme and development anyway. That's what music is about.
I've always liked funk and rock and everything.
I'd take the syncopation and play swing, and then read the syncopation lines with my left hand.
I was really conscious of that when I went in because I felt that I was pretty solid on the first one, but I didn't have the groove exactly where I wanted it.
I usually go with the first instinct, and then build upon that.
I think jazz is a wonderful learning tool.
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