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When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there.
When I was 15, I made a solo record. It made Artie very unhappy. He looked upon it as something of a betrayal.
When I began making my own albums, the songs became funkier. They were more about the streets.
We've survived by believing our life is going to get better.
We were always able to sing and blend well together; that's our gift. But aside from that, we're really two different guys.
We just did what we'd done when we were an act in the '60s. But I found it impossible to hold a dialogue with 500,000 people. In a certain sense, it was numbing.
We had many more points of agreement than we had points of difference, but we did differ, and the bigger we got, the more insistent we got that each one of us should have his way.
We got on American Bandstand, where kids would dance to a record and then rate it. We called ourselves Tom and Jerry. I was Jerry.
There's something about the sound of a train that's very romantic and nostalgic and hopeful.
There must be 50 ways to leave your lover.
The words of the prophets are written on the subway walls and tenements halls and whispered in the sounds of silence.
The thought that life could be better is woven indelibly into our hearts and our brains.
The record company stay out of my way. Whenever the record is finished, they take it.
Falling Out Of Love
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