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You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind.
To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic.
There's tons of people with talent; it's the system that's all screwed up.
The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other.
The only character I ever remember actually creating in a flash of inspiration was George Liquor. God planted that in my head in an instant.
The generic Canadian style of illustration is different from the generic American style.
Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, they're worse in cultural aspects, like in music and art. They don't teach you anything.
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.
Not very many people can draw who are illustrators today.
My style is very strong poses and expressions.
My intended audience was everybody. I just want to make cartoons for human beings.
Most cartoons are those colors. They have been for 35 years.
Being Taken For Granted
Give Me A Chance
I Dont Give A Fuck
Listen To Your Heart
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