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You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames.
You can't tell any kind of a story without having some kind of a theme, something to say between the lines.
The Sand Pebbles has always been one of my favorite films, I suppose because its the most difficult film - from a physical and logistical standpoint - that I've ever made.
Of all the stars whom I worked with, I think Steve knew better what worked for him on the screen than any other. He had such a sense of what he could register, and that helped a lot in terms of shaping the character and the script.
My three Ps: passion, patience, perseverance. You have to do this if you've got to be a filmmaker.
I've always been proud of being a Hoosier. When I talk to people, I tell them that.
I think one of the major things a director has to do is to know his subject matter, the subject matter of his script, know the truth and the reality of it. That's very important.
As I've always said, preproduction is so important. When you cast the actors, you've done much of the work. Now, you may need to guide them a little, take it up or down, have them go faster or slower, but the casting process is crucial.
A Mac is a closed box, so Apple can make decisions about things that they don't include. That makes, it in some ways, simpler for them.
I Love You For Him
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