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You learn just as much from your failures. Sometimes you love your failures even more.
When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
When Talking Heads started, we called ourselves Thinking Man's Dance Music.
We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.
We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.
We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.
We don't really have more than acouple of solos. It's just the way our music is put together.
We don't always know what we're doing. We often just get excited, put something down, and say, 'Oh, neat'.
We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.
Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.
Stick to your instincts.
Sometimes, you have to go through a phase whether you like it or not.
Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world.
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