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It would be real nice to have some kind of bell or whistle attached to this film - it would give it a longer life. People seem to need that validation to go to a film these days.
In this film George presents issues that are important, essential and vital, whoever you are, about constitutional rights and the bedrock of a democracy. I am drawn to those kinds of stories because they inspire me - they are responsible to a populace and responsible to man.
In order to crash the party and be a clown with your own skit, you had to be there for quite a while.
If it's a role like this one, an actual live person, a legend, there's lots of material laid out.
If anyone was talking about journalism in the '50s - it was Edward R.Murrow.
I think the film is beautifully realised. His legacy as a journalist was recorded - as it were - well, and certainly the important issues of the '50s - or even today - are delivered and presented to the audience in a rather honest and objective way.
I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
I don't think I could've carried the weight that Murrow carried.
I checked out all types of tobacco trying to find one that would be easiest to live with, I ended up using pipe tobacco. It burned slower, and it wasn't as harsh on my throat... It also smelled better.
Film is our literature, so we should tell stories that are apropos of our culture, in that we can learn something about ourselves.
All I Want Is You
I Miss You
Trust In God
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