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I think what we have in this country is a little more dangerous in a way because it can't be seen fully. It's sorta internal censorship. We censor each other.
I think the best thing in cases of censorship or things like this is to get as much media as possible.
I think it's really important to find out why people hurt you or try to oppose you or whatever.
I question: do we really understand the differences between modernist and postmodernist?
I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material.
I mean, they censor your work when they're scared of it.
I mean, once work's out there it's meant to be used.
I found my voice was a reaction to all that voice stuff.
First of all, writing at best - certainly fiction writing - more and more I think is magic.
But I still don't have a clear idea of what my voice is.
But guys such as Allen and William are more supportive than most men.
And internalization is used in this country as a very effective political tool.
And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation.
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