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I wanted to get rid of the element that had been considered essential in pop music: the voice.
I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
I take sounds and change them into words.
I see TV as a picture medium rather than a narrative medium.
I often work by avoidance.
I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy.
I have a definite talent for convincing people to try something new. I am a good salesman. When I'm on form, I can sell anything.
I hate the rock music tradition. I can't bear it!
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
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