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I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.
I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
I still need the camera because it is the only reason anyone is talking to me.
I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position.
I feel very proud of the work from the '80s because it is very bright and colorful.
I feel a responsibility to my backyard. I want it to be taken care of and protected.
I don't think there is anything wrong with white space. I don't think it's a problem to have a blank wall.
I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.
I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.
Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, They are in the archives.
Computer photography won't be photography as we know it. I think photography will always be chemical.
Coming tight was boring to me, just the face... it didn't have enough information.
At my Rolling Stones' tour, the camera was a protection. I used it in a Zen way.
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