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We definitely have our finger on the pulse. You have to keep up. We decide what to watch by what's funny.
We all write, but the script is a blueprint. We can lose whole scenes when we're shooting.
They'll say, That's funny, but you can't do that on TV.
There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.
Now we have to hit them from a different angle.
If you keep up with pop culture, everybody knows the joke.
I knew when I was 6. I just knew it; I didn't care about nothing else. If I didn't make it in this world, I would probably be homeless. I gave myself that little to fall back on.
For Scary Movie 2, we had a due date and had to work fast. And though there's a lot of pressure, as artists, we just block it out. So really, the pressure comes from us. That's how the first movie happened. There was no outside pressure: we wanted to hit the audience hard.
Any time something does that well, you gotta follow up.
A lot of the jokes had some build-up to some nasty stuff. But most of it was all character situations leading to what the ultimate payoff would be for that character.
We have always had gross humor. But we try for funny, not gross.
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