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When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
Esa-Pekka Salonen
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1 Comments
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This country, and the West Coast, especially, is bad at preserving any cultural legacy.
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The Royal Festival Hall in London is nice; people hang out there. I think this inviting, non-exclusive character is very important.
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The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
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The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius.
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The music I turn out these days is the kind of music I want to hear myself.
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The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. I missed the sensual pleasure of being in contact with music.
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