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Goth culture, as mired in the past as it is, even it goes through changes, so Goth when I was growing up is not what it is now. When I think of Goth culture as it is at the moment I think of mall culture.
Ever since I'm done with Zim everyone thinks that I'm going to go back to comics. I've been flooded with emails asking me if I'm working on the new Johnny over and over again.
But now I have a lot of little kids who watched Invader Zim whenever they could find it on television.
But I couldn't draw as fast as she requested. Thus, I tried to create the worst abomination of a comic that I could, so as to make her not want comics anymore. That abomination, my friends, was Happy Noodle Boy.
Because of the audience I get and the fact that these people aren't traditional comics buyers I don't think the comic industry looks at that and thinks that is a very respectable thing. I'm very used to it. I'm not the guy who wins awards and gets mentioned in magazines.
At this very moment I'm behind on a compilation that Slave Labor is doing for Free Comic Book Day.
As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.
All the power to them but I'm not interested in making yet another show that looks like some other show.
After doing Johnny I wanted to just do something, I wouldn't say innocent, but to not have any care in the world. Lots of setups and horrible happenings but its funny.
Hold You Down
Ride Or Die
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