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I'm just trying to tell a good story and make thought-provoking, entertaining films. I just try and draw upon the great culture we have as a people, from music, novels, the streets.
I'd like to state that Spike Lee is not saying that African American culture is just for black people alone to enjoy and cherish. Culture is for everybody.
I think people who have faults are a lot more interesting than people who are perfect.
I think my work shows that I love women. I understand where these types of criticisms are coming from because black people have been so dogged out in the media, they're just extra sensitive.
I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.
I think it is very important that films make people look at what they've forgotten.
I live in New York City, the stories of my films take place in New York; I'm a New York filmmaker.
I like to work with the same people when I can, and you want to get people with the same interests that you have, and the same aesthetic.
I get offered to do stuff where the money's nice but it's not something I want to do - I get offered a lot of commercials too.
I don't dictate, you don't dictate to Stevie Wonder, not successfully.
I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.
Fight the power that be. Fight the power.
Everything I do is always scrutinised. But that's all I'll say about that.
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