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I would certainly choose my jobs depending on the actions of the character. I won't do anything that has to do with child abuse or women's abuse.
I want people to like me. They don't have to always like my characters, you understand.
I think my mission is to become the greatest human I can. I know that sounds pompous, but what else do we have?
I think Europeans have enough tradition and respect for the experience and body of work of an actress that they don't sell out to the new ones.
I rent houses in LA when I'm filming. I find the isolation there terrifying. There's nowhere to go, there's nowhere to be with people. I'm not a beach bunny.
I often play women who are not essentially good or likable, and I often go through a stage where I hate them. Then I end up loving and defending them.
I never took to Hollywood.
I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up.
I know there are nights when I have power, when I could put on something and walk in somewhere, and if there is a man who doesn't look at me, it's because he's gay.
I have no desire to play most of the roles being offered.
I have health. I have a wonderful support system. I have the admiration of millions of strangers, which I do not underestimate.
I have a brother who's a psychologist. He says three-quarters of the world are born feeling that they will be affected by the world; one quarter are born knowing that they will affect the world.
I had a great deal of pressure to move to LA after Romancing the Stone came out and I'd become very popular. But people came to me anyway.
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