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In the past goodness was always a collective experience. Then goodness became privatised.
In the end I think theatre has only one subject: justice.
If you engage people on a vital, important level, they will respond.
I'm not interested in an imaginary world.
I'm interested in the real world.
I write plays not to make money, but to stop myself from going mad. Because it's my way of making the world rational to me.
I think there is no world without theatre.
I don't think it's the job of theatre at the moment to provide political propaganda; that would be simplistic. We have to explore our situation further before we will understand it.
Humanity's become a product and when humanity is a product, you get Auschwitz and you get Chair.
First there was the theatre of people and animals, then of people and the devil. Now we need the theatre of people and people.
Fifteen years ago I walked out of a production of one of my plays at the RSC because I decided it was a waste of time.
But we are not in the world to be good but to change it.
Auschwitz is a place in which tragedy cannot occur.
Good Triumphs Over Evil
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