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It's a sin to have your films not to make money.
I've lived most of my life in Manhattan, but as close as Brooklyn is to Manhattan, there are people who live there who have been to Manhattan maybe once or twice.
I wanted to work on this central problem of killing. How you go about killing. Now, in the film I had to kill my children - well, I didn't want to get that far.
I think that the change began... I made a film a few years ago called The Spitfire Grill, and that didn't make much money either, but it was a good film and an independent film.
I talked to women who lived there, to get their speech patterns and outlook on life - and how narrow that is.
I sketched out a rough story for them and the director said, well it's a good story but we have the go-ahead from Universal to make this script and did I want to do it. I said no, and they left.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
I did my famous cabbage soup diet, so I was able to do it.
I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.
I always wanted to play Joan of Arc. I've always wanted to do that. Now I'm thinking, 'Maybe there's a story in Joan of Arc's mother!' If I don't hurry up, her grandmother!
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