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Of course, we have known for a long time that a word, like any verbal sign, is a unity of two components.
Roman Jakobson
2 Likes
2 Comments
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Now the identification of individual sounds by phonetic observation is an artificial way of proceeding.
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Linguistic sounds, considered as external, physical phenomena have two aspects, the motor and the acoustic.
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It is once again the vexing problem of identity within variety; without a solution to this disturbing problem there can be no system, no classification.
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Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it.
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In poetic language, in which the sign as such takes on an autonomous value, this sound symbolism becomes an actual factor and creates a sort of accompaniment to the signified.
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From a strictly articulatory point of view there is no succession of sounds.
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For example, the opposition between acute and grave phonemes has the capacity to suggest an image of bright and dark, of pointed and rounded, of thin and thick, of light and heavy, etc.
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Every linguistic sign is located on two axes: the axis of simultaneity and that of succession.
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At first acoustics attributed to the different sounds only a limited number of characteristic features.
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Acoustic phonetics, which is developing and increasing in richness very rapidly, already enables us to solve many of the mysteries of sound, mysteries which motor phonetics could not even begin to solve.
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A new era in the physiological investigation of linguistic sounds was opened up by X-ray photography.
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