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The thinking of John Cage derived from Duchamp and Dada. I was not interested in that.
Sol LeWitt
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The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
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The other great development has been in photography, but that too was influenced by Conceptual art.
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The narrative of serial art works more like music than like literature.
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Minimalism wasn't a real idea - it ended before it started.
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Minimal art went nowhere.
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Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.
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In my case, I used the elements of these simple forms - square, cube, line and color - to produce logical systems. Most of these systems were finite; that is, they were complete using all possible variations. This kept them simple.
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I was not interested in irony; I wanted to emphasize the primacy of the idea in making art.
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I didn't want to save art - I respected the older artists too much to think art needed saving. But I knew it was finished, even though, at that time, I didn't know what I would do.
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I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.
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I became interested in making books, starting about 1965, when I did the Serial Project 1, deciding that I needed a small book to show how the work could be understood and how the system worked.
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