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That's another thing about today's stars that makes me glad that I'm not doing it any more. The stars come with ten people all around them. I don't know how you ever make any personal contact with them.
Julie Harris
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2 Comments
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Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
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Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
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On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.
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John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.
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It's nice when you work with someone who has an eye for clothes and will show what you've given them.
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I would loathe to work on modern films.
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I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.
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I saw a very good Hollywood film the other day. It was about Cole Porter.
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I really have a generation gap about modern clothes.
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I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.
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I liked Live and Let Die, where money was no object.
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I have to go back to my younger days, when I just adored Hollywood musicals.
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