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There is something dark and wintry about the atmosphere of the later Middle Ages.
Lytton Strachey
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The stability and peace which seemed to be so firmly established by the brilliant monarchy of Francis I vanished with the terrible outbreak of the Wars of Religion.
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The old interests of aristocracy - the romance of action, the exalted passions of chivalry and war - faded into the background, and their place was taken by the refined and intimate pursuits of peace and civilization.
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The history of the Victorian Age will never be written: we know too much about it.
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The genius of the French language, descended from its single Latin stock, has triumphed most in the contrary direction - in simplicity, in unity, in clarity, and in restraint.
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The amateur is very rare in French literature - as rare as he is common in our own.
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Modern as the style of Pascal's writing is, his thought is deeply impregnated with the spirit of the Middle Ages. He belonged, almost equally, to the future and to the past.
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In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
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In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought.
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In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought.
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Ignorance is the first requisite of the historian - ignorance, which simplifies and clarifies, which selects and omits, with a placid perfection unattainable by the highest art.
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How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question.
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Englishmen have always loved Moliere.
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