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We just did what we'd done when we were an act in the '60s. But I found it impossible to hold a dialogue with 500,000 people. In a certain sense, it was numbing.
We had many more points of agreement than we had points of difference, but we did differ, and the bigger we got, the more insistent we got that each one of us should have his way.
We got on American Bandstand, where kids would dance to a record and then rate it. We called ourselves Tom and Jerry. I was Jerry.
There's something about the sound of a train that's very romantic and nostalgic and hopeful.
There must be 50 ways to leave your lover.
The words of the prophets are written on the subway walls and tenements halls and whispered in the sounds of silence.
The thought that life could be better is woven indelibly into our hearts and our brains.
The record company stay out of my way. Whenever the record is finished, they take it.
Someone told me it's all happening at the zoo.
People often called us perfectionists, but we were not looking for perfection. We were looking for some kind of magic in the music.
One of the things that upset me was some of the criticism leveled at Simon and Garfunkel. I always took exception to it, but actually I agree with a lot of it.
Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
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