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Michael Tilson Thomas Quotes & Sayings
Showing search results for "Michael Tilson Thomas" sorted by relevance. 500 matching entries found.
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QUOTES
Conductors are performers.
Michael Tilson Thomas
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Being an American musician means being adventurous.
Michael Tilson Thomas
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I can't do pieces I only admire technically. I have to feel some direct contact with them.
Michael Tilson Thomas
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Extreme volume in music very often disguises a lack of actually important content.
Michael Tilson Thomas
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If we are able to get inside the music and inhabit it convincingly enough, it will cause everyone to find each other in this new psychological space. And that's most exciting.
Michael Tilson Thomas
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They are representations of many shared hours of collaboration between us all. That's the real nature of the relationship the orchestra and I are trying to build.
Michael Tilson Thomas
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Being a conductor is kind of a hybrid profession because most fundamentally, it is being someone who is a coach, a trainer, an editor, a director.
Michael Tilson Thomas
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But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places.
Michael Tilson Thomas
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Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, or a representation of certain intellectual concepts that were very exciting and important.
Michael Tilson Thomas
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In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religious training and or summer camp or whatever it was and you'd learn to sing a lot of songs.
Michael Tilson Thomas
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But without the experience of actually singing or playing these things yourself, you don't have the same kind of involvement or understanding of what these musical moves mean. And that is a very big problem in addressing the future of music.
Michael Tilson Thomas
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And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
Michael Tilson Thomas
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But if I can be convinced and then through the work that we do together, the orchestra can really be convinced of the big sweep of that communication that the piece suggests, then the audience will get it and it will be a good experience for all of us.
Michael Tilson Thomas
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I think music needs to be presented in a way so that kids can grasp songs, dances, simple music that's associated with some particular defining moment in human experience.
Michael Tilson Thomas
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The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.
Michael Tilson Thomas
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When I first was conducting as guest conductor in Europe 25 years ago, I would propose doing American pieces and grudgingly it would be accepted from time to time.
Michael Tilson Thomas
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But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.
Michael Tilson Thomas
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The whole path of American music has been so much about the recognition of stylistic diversity, and the recognition of the importance of music which was from one of the vernacular traditions.
Michael Tilson Thomas
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But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
Michael Tilson Thomas
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It's kind of scary sometimes, I've seen this a lot in Asia. Children are given music lessons, very intensively I might add and involving great technical expertise sometimes, but you can tell that they have been told only to play happy pleasant music.
Michael Tilson Thomas
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