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I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.
I'm so happy in the projects that I'm able to make, to be involved in projects like this. This isn't always where it was at for me, I started working when I was a kid. I'm just a different person now, I'm 30. I started working when I was 11 and it's a different ballgame.
I try to do a lot of research beforehand so I know where I want to go with a scene. I try not to get too stressed about it, because I find that's the worst thing.
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything.
I felt for a long time that this is what I want to do so I'm happy at this point to just take my time and work on projects that I feel strongly about, and the rest of the time just live my life.
I don't know if I was a star. I was certainly working a lot and that was strange because there were good things about it and things that were difficult.
I don't always like my own behavior. I haven't known anyone who is perfect all the time.
I do finish reading a script and say, Why are they making it and what are they talking about? I like to try and be responsible in my choices in that way.
I didn't expect to win the Oscar. You grow up watching the Oscars on TV and you think it happens to fancy people. It was really surreal.
I can't comment on any outside perception. I'm happy to come out and talk about movies that I've worked on in a setting like this. Otherwise, I have my own life that I live which is very different and private.
Growing up, being watched from the outside... it's kind of very taxing and maybe I should just do some kind of manual labor-it might be more relaxing. But I can't, it's not in my nature.
Everything changes as a mother. Yes, work has changed. The projects that I choose are even more important to me now. The world he's growing up in and the kind of stimulus that is out there; they are so precious and I'd do anything to protect him.
Dark Water was one of my favourite films to shoot because of Walter. I had seen the previous films he had directed, Central Station and Motorcycle Diaries, and I thought they were great. I really trusted him.
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