I Dont Use The Formal Elements Of Photography For Their Own Sake. I Dont Use Whats Happening In The World To Make Statements About Photography, I Use Photography To Make Statements About Whats Happening In The World. I'm A Witness And I Want My Testimony To Be Eloquent. - SearchQuotes

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I dont use the formal elements of photography for their own sake. I dont use whats happening in the world to make statements about photography, I use photography to make statements about whats happening in the world. I'm a witness and I want my testimony to be eloquent.

James Nachtwey

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But everyone cannot be there, and that is why photographers go there, to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on, to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference, to protest and by the strength of that protest to make others protest.

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I attempt to become as totally responsible to the subject as I possibly can. The act of being an outsider aiming a camera can be a violation of humanity. The only way I can justify my role is to have respect for the other persons predicament. The extend to which I do that is the extent to which I become accepted by the other, and to that extent I can accept myself.

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It has occurred to me that if everyone could be there just once to see for themselves what white phosphorous does to the face of a child or what unspeakable pain is caused by the impact of a single bullet or how a jagged piece of shrapnel can rip someones leg off if everyone could be there to see for themselves the fear and the grief, just one time, then they would understand that nothing is worth letting things get to the point where that happens to even one person, let alone thousands.

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Is it possible to put an end to a form of human behavior which has existed throughout history by means of photography? The proportions of that notion seem ridiculously out of balance. Yet, that very idea has motivated me.

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There has always been war. War is raging throughout the world at the present moment. And there is little reason to believe that war will cease to exist in the future. As man has become increasingly civilized, his means of destroying his fellow man have become ever more efficient, cruel and devastating.

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We must look at it. We're required to look at it. We're required to do what we can about it. If we don't, who will?

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In a way, if and individual assumes the risk of placing himself in the middle of a war to communicate to the rest of the world what's happening, he's trying to negotiate for peace. Perhaps that's the reason for those in charge of perpetuating the war do not like to have photographers around.

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Why photograph war? Is it possible to put an end to a form of human behavior, which has existed throughout history, by the means of photography.

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It's more difficult to get publications to focus on issues that are more critical, that do not provide people with as escape from reality but attempt to get them deeper into reality. To be concerned about something much greater than themselves. And I think people are concerned. I think quite often, publishers don't give their audience enough credit for that. In fact, at the end of the day, I believe people do want to know when there's some major tragedy going on; when there's some unacceptable situation happening in this world. And they want something done about it. That's what I believe. We must look at it. We're required to look at it. We're requited to do what we can about it. If we don't, who will?

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The worst thing is to feel that as a photographer I am benefiting from someone else's tragedy. This idea haunts me. It's something I have to reckon with every day because I know that if I ever allowed genuine compassion to be overtaken by personal ambition, I will have sold my soul. The only way I can justify my role is to have respect for the other person's predicament. The extent to which I do that is the extent to which I become accepted by the other; and to that extent, I can accept myself. Share this quote

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The main purpose of my work is to appear in the mass media. It's not so much that I want my pictures to be looked upon as art objects as it is a form of communication. Whatever I did that accomplished something, I'm glad for it. But there's always so much more to do. I've never felt complete; I've never felt satisfied. I wouldn't say I could use the word 'happy' about it because its always involved other people's tragedies and other people's misfortunes. At best, there's a kind of grim satisfaction that perhaps I brought some attention, and focused people's attention on these problems. Perhaps it brought some relief. But its shifting sand that keeps moving.

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And I realized that many of the people I was photographing might have been the very ones who had committed the massacres that I had witnessed just a few weeks before. And it was like taking the express elevator to hell.

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