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If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.
I'm talking as a professional impresario. I'm not judging anybody at all.
I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.
I still continue to do at least four concert tours a year, and in many cases, as many as six.
I made it easier for many artists to play in certain areas.
I find myself more at peace when I live in Europe.
I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.
I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.
I don't think I will ever do any tours again in the United States. I rather think that that's over with.
I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.
I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.
I allowed artists to play for as long as they felt they could justifiably continue to create.
Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it.
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