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Franz Liszt Quotes & Sayings
28 entries tagged including 5 subtopics.
Last updated Apr 2020
Franz Liszt Topics
Without any assistance whatever, I founded a school in Weimar in 10 years. Only I could perform certain works with the scanty means that I dared not ask anyone else to work with.
We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.
The public is always good.
The principal task of a conductor is not to put himself in evidence but to disappear behind his functions as much as possible. We are pilots, not servants.
The music of the Gypsies belongs in the sphere of improvisation rather than in any other, without which it would have no power to exist.
The character of instrumental music... lets the emotions radiate and shine in their own character without presuming to display them as real or imaginary representations.
Supreme serenity still remains the Ideal of great Art. The shapes and transitory forms of life are but stages toward this Ideal, which Christ's religion illuminates with His divine light.
Sorrowful and great is the artist's destiny.
Real men are sadly lacking in this world, for when they are put to the test they prove worthless.
Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.
Life is only a long and bitter suicide, and faith alone can transform this suicide into a sacrifice.
It is my fervent wish and my greatest ambition to leave a work with a few useful instructions for the pianists after me.
It is impossible to imagine a more complete fusion with nature than that of the Gypsy.
Inspiration is enough to give expression to the tone in singing, especially when the song is without words.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
I foster a sorrowful conception of affection. Make no sacrifices.
I find little in the works of Beethoven, Berlioz, Wagner and others when they are led by a conductor who functions like a windmill.
I did not compose my work as one might put on a church vestment... rather it sprung from the truly fervent faith of my heart, such as I have felt it since my childhood.
I conclude that the Wagnerian operas which are already in the repertoire, and other masterworks as well, stand in no further need of my services.
Companions, in misery and worse, that is what we all are, and to try to change this substantially avails us nothing.
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